خلاقیت در نوشتن»  (creative in writing) با معرفی حدود ۷۰ روش برای آغاز یا پرورش نوشتن تهیه شد و شامل شش فصل  است:

۱- نگارش، اهداف، آسیب شناسی و نوشته خلاق

۲-روشهای رایج انشانویسی

۳-انشا براساس مهارتهای زبانی شامل: انشهای دیداری، شنیداری و گفتاری

۴-گسترش متن

۵- نوشته های خیال انگیز

۶- ویرایش نوشته

نکته مهم در این کتاب داشتن نمونه های دست نویس مولف برای ۹۰٪ روشهاست
دیگر آنکه رویکرد کتاب مهارتی است و دانش آموز یا دانشجو میتواند با الگو قرار دادن کتاب، خوب بنویسد، متن را پرورش و گسترش دهد و سرانجام ویرایش کند.

تحلیل روایی نمایشنامة ایرانیان» اثر آیسخیلوس بر مبنای دیدگاه ساختاری رولان بارت

نوشتۀ دکتر حجت کجانی حصاری و دکتر محمدرضا پاشایی

مجله علمی پژوهشی زبان پژوهشی» دانشگاه اهرا

در شماره آینده این مجله

mohammad reza pashaei؛ hojjat kajani hesari

hojjat kajani hesari

Abstract

The music and songs available on the Companion of words and notice of authors and poets, especially to technical and artifact texts to it's, which sometimes due to creates a meaning of the words used to create and maintain musical words. Although this occur is impossible about one hundred percent, and means is created the total effect a form and it shows; but words evidence in many of artifact book's text is that say about discoverable of musical space in author's mind and put his thought in use of appropriate words whit those mental and musical space.

The present essay surveying the impact of the use of word's music and creating music rhetoric in use of words and terms that create means in Nafsat al-masdoor by Zeydary Nasavy (647 AH) and  playing this effect with the evidence of this book on sentences structure in more or less and creating or changed the meanings; and wanted to comparative this text with contemporaries blank verse.

Keywords:

word - meaning - Nafsat al masdoor - rhetoric imagery - Zeydary Nasavy- Blank verse.

in:
Half-Yearly Persian Language and Literature, Kharazmi University, no.80, year 24, p.115- 136.

The characteristics of inner heart in the Kash al-mahjoob and compliance with the prose taxes of sofia

Hojjat Kajani Hesari

Abstract

The Inner heart is a common term among sufia that knows it a place of Observe and one of the best subtlety; while in mystical prose books, in addition to features that have said for Inner heart among the various sentences, sometimes it means the "heart" and "soul" has been considered and in different definitions of it, have equated it with the same word in means of "mystery"; while the Inner heart is higher level of soul and spirit. This article essay limits of definition of Inner heart according to Kashf al-mahjoob and checks its differences with other subtleties, and exhibits the comments that authors of prose mystical books have offered in definition and use of this word from beginning to eight century; and finally expresses the characteristics of Inner heart and compare and match it with other prose mystical works.

Keywords: inner heart, heart, Kashf al-mahjoob, visible, subtlety

in: misticism studies of Kashan University, no.23, spring&summer 2016, 

Examine ways of influencing the content Andersen works on the audience, especially children 

Hojjat Kajani Hesari 

Abstract

Hans Christian Andersen (05- 075 AD) poet and outher in Denmark that unique pen name of fathers of children's literature with writing around 220 tails for children and translated to 150 languages in world, he try to employed many approaches to effect and influence on his readers and their parents with remember to his child's problems and use of tail style that kids are his audiences, and he can obtain to world agreement with employed of his approaches.

This essay surveying of employed themes and meaning in Christian Andersen's tails according this approaches in his point of views. They include: teaching of religious beliefs, social pain expression, importance of reading stories and poems for children; maxims and advice to children, education of children and relieve mental and give hope to children in difficulty.

Keywords:

Hans Christian Andersen, tail, child, them

Abstract

Mirza abdolwahhab-e iranpoor named ‘’Golshan’’(1257-1316 A.H) is one of famous and active poet’s, auther’s, jurnalist’s, historian’s and calligrapher’s in isfahan and he was member of daneshkadeh’s literary group” and survived many books of him in verses and proses in form of manuscripts and litogeraphy, and editing his divan’s selected in 1312 ah too, but don’t exist any biography of he, except two explanations of his life that one of them is autobiography and very little.                                                                                                    

This study going to explain about Golshan Iranpoor’s” biography and introducing of his most important books.                                                                            

Key words:

Golshan Iranpoor- biography- manuscript- litogeraphy